Pictures at a revolution : five movies and the birth of the new Hollywood

by Harris, Mark, 1963-

Format: Print Book 2008
Availability: Available at 5 Libraries 5 of 5 copies
Available (5)
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CLP - Main Library Second Floor - Non-fiction PN1993.5.U6 H37 2008
Location  CLP - Main Library
Collection  Second Floor - Non-fiction
Call Number  PN1993.5.U6 H37 2008
Community Library of Castle Shannon Non Fiction 791.43 Harris
Location  Community Library of Castle Shannon
Collection  Non Fiction
Call Number  791.43 Harris
Monroeville Public Library Non-fiction 791.430973 H
Location  Monroeville Public Library
Collection  Non-fiction
Call Number  791.430973 H
Penn Hills Library Non-Fiction 791.43 HAR
Location  Penn Hills Library
Collection  Non-Fiction
Call Number  791.43 HAR
Shaler North Hills Library Non-Fiction 791.43 H
Location  Shaler North Hills Library
Collection  Non-Fiction
Call Number  791.43 H
The epic human drama behind the making of the five movies nominated for Best Picture in 1967- Guess Who's Coming to Dinner , The Graduate , In the Heat of the Night , Doctor Doolittle , and Bonnie and Clyde -and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever

It's the mid-1960s, and westerns, war movies and blockbuster musicals- Mary Poppins , The Sound of Music -dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass ; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all.

By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate , which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night , movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go.

What City of Nets did for Hollywood in the 1940s and Easy Riders , Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all.

The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.

Published Reviews
Booklist Review: "*Starred Review* Film critics and historians can turn out some of the deadliest prose on the planet, so when the odd Pauline Kael or David Thomson rises above the stereotype, it's always a cause for celebration. Add Mark Harris to the short short list of film writers who can tell a story. And what a story it is! Harris uses the Academy Award nominations for Best Picture of 1967 (Bonnie and Clyde, The Graduate, In the Heat of the Night, Guess Who's Coming to Dinner, and Doctor Doolittle) as the lens through which to view the cultural revolution of the late 1960s as it affected the movies. Moving back and forth in time in the manner of some of our best narrative nonfiction fiction writers (from John McPhee to Laura Hillenbrand), Harris tracks the genesis of each of the five movies as they came to reflect the building war between Old and New Hollywood: Doctor Doolittle, of course, represents the old way, a mediocre, big studio musical determined to milk the last possible dollar from the cash cow that was Sound of Music, while Bonnie and Clyde, the brainchild of two precocious Esquire editors, was unquestionably the avatar of the New World. The backstory on the films never fails to fascinate a perfect blend of cultural commentary and film-business analysis but the miniportraits of all the personalities (from dying Spencer Tracy to fish-out-of-water Dustin Hoffman to wunderkind director Mike Nichols to dozens more) are unfailingly spot-on, always delivering something about these overexposed celebrities that we didn't know or hadn't thought about in just that way. No contest, this is one of the best film histories ever written. Don't miss it.--Ott, Bill Copyright 2008 Booklist"
From Booklist, Copyright (c) American Library Association. Used with permission.
Publisher's Weekly Review: "While one might think that the films discussed in this book have been thoroughly plumbed (The Graduate; Bonnie and Clyde; In the Heat of the Night; Guess Who's Coming to Dinner?), Entertainment Weekly writer Harris offers his take in this thorough and engaging narrative. Instead of simply retelling old war stories about the production of these five Best Picture nominees at the 1968 Oscars, Harris tells a much wider story. Hollywood was on the brink of obsolescence throughout the 1960s as it faced artistic competition from European art films and financial implosion due to an outdated production system and rising budgets. Harris doesn't shy away from complexity in favor of easy answers, and the personalities that he profiles-among them Sidney Poitier, Mike Nichols, Warren Beatty and Richard Zanuck-are certainly worthy of the three dimensional approach. Harris also peppers his narrative with moments that capture the rising cultural tide that broke in the late '60s: chipping away at the moralistic Production Code, and Hollywood's inconsistent engagement with the Civil Rights movement are continuous sources of interest throughout this fascinating book. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved"
(c) Copyright PWxyz, LLC. All rights reserved
Additional Information
Subjects Motion pictures -- United States -- History.
Publisher New York :Penguin Press,2008
Language English
Description 490 pages : illustrations ; 25 cm
Bibliography Notes Includes bibliographical references (pages [432]-438) and index.
ISBN 9781594201523
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