The mouse that roared : Disney and the end of innocence

by Giroux, Henry A.

Format: Print Book 2010
Availability: Available at 4 Libraries 4 of 4 copies
Available (4)
Location Collection Call #
Brentwood Library Nonfiction 384 Giroux
Location  Brentwood Library
Collection  Nonfiction
Call Number  384 Giroux
CLP - Main Library Second Floor - Non-fiction PN1999.W27 G57 2010
Location  CLP - Main Library
Collection  Second Floor - Non-fiction
Call Number  PN1999.W27 G57 2010
Mt. Lebanon Public Library Non-Fiction 384.8 G56
Location  Mt. Lebanon Public Library
Collection  Non-Fiction
Call Number  384.8 G56
Northland Public Library Nonfiction 384.80979494 G44 2010
Location  Northland Public Library
Collection  Nonfiction
Call Number  384.80979494 G44 2010
How are children--and their parents--affected by the world's most influential corporation? Henry A. Giroux explores the surprisingly diverse ways in which Disney, while hiding behind a cloak of innocence and entertainment, strives to dominate global media and shape the desires, needs, and futures of today's children.
Introduction : Disney's troubled utopia
Disney and the politics of public culture
Learning with Disney : from Baby Einstein to High school musical
Children's culture and Disney's animated films
Disney, militarization, and the national-security state after 9/11
Globalizing the Disney empire
Conclusion : turning the world into a Disney store.

Published Reviews
Booklist Review: "*Starred Review* Giroux is an author of many books and articles on education, politics, and corporate influence. This highly critical examination of the Disney corporation explores the scope of influence that Disney has over the developing minds (and bodies) of children as it uses the facade of innocence and nostalgia marketing to promote consumerism over values such as reading and creative play, which are known to stimulate intelligence and social interaction better than the passive viewing of television and movies. Giroux asks us to reevaluate the seemingly innocuous animated Disney productions and theme parks, which focus on a safe, sanitized, middle-class white depiction of the American ideal, while promoting racial and sexual stereotypes in films such as Aladdin and The Little Mermaid. He points out the hypocrisy (or is it irony?) of the feature WALL-E, which depicts Earth as a desolate wasteland despoiled by rampant consumerism and an overreaching mega-corporation, while at the same time promoting WALL-E robots, action figures, playsets, apparel, stationery, and other collectibles in the real world. This updated and expanded edition (with the help of coauthor Pollock) includes a discussion on Disney's focus on marketing toward the lucrative tween segment, as well as two new chapters, Globalizing the Disney Empire and Disney, Militarization, and the National Security State after 9/11. Well researched and well written, despite the academic jargon.--Siegfried, David Copyright 2010 Booklist"
From Booklist, Copyright (c) American Library Association. Used with permission.
Publisher's Weekly Review: "To many people, the name Disney has become synonymous with childhood innocence and squeaky-clean fantasy. But in this polemical, didactic work, Penn State education professor Giroux (Channel Surfing) charges that Disney is in fact a powerful corporation whose ideologyÄlargely predicated on getting the consumer to buy Disney productsÄis far from innocent. Giroux tackles Disney's theme parks, its recent forays into education and its movies in an attempt to expose how Uncle Walt's legacy is eroding democracy and endangering our nation`s youth. He disparages Disneyland and Disney World for whitewashing history and casting America's past in a nostalgic light, excluding any mention of slavery, civil unrest, racial tension or war. In keeping with this practice of regulation and homogenization, employees are required to dress a certain way, to have their hair a certain length and to adhere to the "Disney philosophy." Disney's movies, argues Giroux, promote sexism and racism ("bad" characters speak with thick foreign accents, or in inner-city jive; female characters, however strong, depend on the men around them for identity) and encourage massive consumer spending while assuming the guise of innocuous family fun. But because children learn increasingly from popular culture, Giroux warns that it is dangerous to ignore the influence of a corporation whose private town, Celebration, dictates the color of its residents' window shades and house paint. The notion of Disney as a corporate, market-obsessed monolith was hilariously expounded last year in Team Rodent, Carl Hiassen's contribution to Ballantine's Library of Contemporary Thought series. In contrast, Giroux's sustained shock and outrage, buried in thickets of dense, academic prose, quickly wear thin. (June) (c) Copyright PWxyz, LLC. All rights reserved"
(c) Copyright PWxyz, LLC. All rights reserved
Additional Information
Subjects Walt Disney Company -- History.
Popular culture -- United States.
Publisher Lanham, Md. :Rowman & Littlefield,2010
Edition Updated and expanded ed.
Contributors Pollock, Grace, 1976-
Language English
Description xviii, 285 pages ; 22 cm
Bibliography Notes Includes bibliographical references and index.
ISBN 9781442201439 (pbk. : alk. paper)
1442201436 (pbk. : alk. paper)
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