Screening gender in Shakespeare's comedies : film and television adaptations in the twenty-first century

by CiesĖlak, Magdalena,

Format: Print Book 2019
Availability: Available at 1 Library 1 of 1 copy
Available (1)
Location Collection Call #
CLP - Main Library Second Floor - Non-fiction PR3093.C54 2019
Location  CLP - Main Library
 
Collection  Second Floor - Non-fiction
 
Call Number  PR3093.C54 2019
 
 
Summary
When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. Screening Gender in Shakespeare's Comedies: Film and Television Adaptations in the Twenty-First Century analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. This book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. This book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.
Contents
Doing it "straight". Michael Radford's The merchant of Venice
Kenneth Branagh's As you like it
Julie Taymor's The tempest
Joss Whedon's Much ado about nothing
BBC's Shakespeare-told: retelling Shakespeare for political correctness. BBC's Shakespeare-told Much ado about nothing, dir. Brian Percival
BBC's Shakespeare-told The taming of the shrew, dir. David Richards
BBC's Shakespeare-told A midsummer night's dream, dir. Ed Fraiman
Conclusion: girl power or Will power?
Epilogue: Bridget Jones's baby.

Additional Information
Series Remakes, reboots, and adaptions
Subjects Shakespeare, William, -- 1564-1616 -- Film adaptations.
Shakespeare, William, -- 1564-1616 -- Television adaptations.
Shakespeare, William, -- 1564-1616 -- Comedies.
Sex role in motion pictures.
Women in motion pictures.
Sex role on television.
Women on television.
Film adaptations -- History and criticism.
Publisher Lanham :Lexington Books,2019
Language English
Description ix, 279 pages ; 24 cm.
Bibliography Notes Includes bibliographical references (pages 259-268) and index.
ISBN 9781498563741
1498563740
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